I am a theatre scholar, educator, and director.
I direct new musicals, rarely produced musicals, and re-envisioned revivals of musicals wherein I uncover a new story while remaining loyal to the original text. I also cultivate opportunities for new musicals through Overtures, a new musical developmental reading series that I created and continue to curate.
I have recently completed a chapter, “'To Being an Us for Once, Instead of Them’: Musical Theatre Aesthetics and Youth-Oriented Musicals,” that will be published in the edited collection, Milestones in Musical Theatre. My article, “Glee and the Ghosting of the Musical Theatre Canon,” was published in Popular Entertainment Studies and then expanded into a chapter in the edited collection Queer in the Choir Room. I have written book reviews about formative texts in Theatre Journal, Theatre Topics, and Studies in Musical Theatre. I regularly present my research at theatre conferences, including ATHE and ASTR.